Work
Three collections, one hundred and forty-two studies. Each one starts from a single documented textile craft and ends as a garment. The material changes between studies; the method does not.
Cultural themes
44 studies across twelve cultural themes.
A cardigan, a shirt and a panelled mixed-material skirt make a three-layer structure that comes apart.
Silver and mountain-ink in a cool key make the most everyday look; the motif stays at the cuff.
A straight dress with a single embroidered detail and a plain top; crisp and clean.
A diamond-quilted vest anchors the silhouette, set against the rhythm of a pleated skirt.
All white, with depth created by material layering rather than colour.
Menswear uses a quilted vest as the layering piece, over a plain inner layer and trousers.
A gauze overblouse and a lace shawl build a translucent layer over a plain straight skirt.
Distant violet is the only colour; everything else stays plain.
Menswear in a mixed-material jacket with woven-band detailing; crisp and clean.
A short waisted top looks a clipped pace against the dense rhythm of a pleated skirt.
The soft fall of a drop-shoulder top, drawn out by the length of a straight skirt.
The look stays plain, with coral only in one accessory and one edge line.
A loose long coat and tapered trousers; volume rather than ornament.
Distinct from the first look: a short jacket and cuffed trousers keep it light.
Wool-taupe and deep blue in the most practical menswear look.
The ease of a drop-shoulder shirt jacket, set against the crispness of work trousers.
Distinct from the first look: a mixed-material long coat and wide trousers slow the pace.
A quilted short jacket keeps the menswear light and easy.
A mixed-material dress and a collarless long coat: the most wearable piece in the look.
Distinct from the first look: crisp woven cloth gives the look real structure.
Slate blue in the most restrained look: only two motif placements in the whole look.
The crisp hand of ramie in a loose long shirt, with straight trousers in the same cloth.
Distinct from the second look’s loose ramie: a short top and straight skirt draw the waistline.
A straight cardigan makes the layering piece here; ramie gives it a crisp hand.
A lace shawl carries the light layer, set against a plain long skirt.
Black-and-green contrast and a horizontal band make a coat with a sense of ceremony.
A straight shirt dress with a horizontal band: the simplest look in the look.
The clipped line of a short top against the rhythm of a pleated skirt.
A mixed-material cardigan — body and edge in different cloths, a woven band as the seam.
The sheen of satin and warm colour give this look an orchard lightness.
Layers of semi-sheer gauze bring out the brightness of satin.
A fully embroidered crop top is the focal point, over a plain skirt.
A dropped-shoulder shirt jacket gives menswear its loose layer.
The thickness of coarse-spun wool makes the most practical autumn–winter look.
The shaped volume of a quilted skirt carries the lower half, against a plain top.
Menswear uses horizontal quilting for the autumn–winter layer.
A diamond-quilted coat — the most practical autumn–winter look here.
Tone-on-tone jacquard shading makes the plainest, most wearable look.
A tone-on-tone jacquard makes a mid-length shirt; the most wearable piece here.
An embroidered vest is the focal point; everything else stays plain.
Yarn and cloth, cotton-linen, wool and twill build an everyday layering in the house palette.
A mixed-material dress and a quilted vest: the most everyday look.
All plain colour; separation comes from cut and material alone.
A face-and-lining contrast vest acts as the structural layer.
Scene styling
36 studies organized by eight everyday scenes.
The first piece for wet weather — a drop-shoulder long coat in a water-repellent twill, with straight trousers and rain boots.
A cape-style hooded overblouse in crisp waxed cotton, with a knee-length skirt and tall boots.
Menswear for wet weather — a short rain-jacket cut, with cuffed trousers and rain boots.
A long vest, knee-length skirt and tall boots: the crispest layering for rain.
The first festive piece — a fully embroidered crop top as the focal point, against the rhythm of a pleated skirt.
A waisted, flared long skirt gives the silhouette a little ceremony, set against the structure of an embroidered vest.
A festive look in menswear — the formality of a loose long coat, with a completely plain interior.
A semi-sheer gauze dress brings a light formality, layered under a gauze vest.
The first bookshop piece — a knit cardigan and a long skirt; quiet, with clearly readable layers.
The ease of a drop-shoulder sweater against the crispness of straight trousers — a cut made for sitting and reading.
The bookshop look in menswear — a drop-shoulder knit with work trousers; comfortable through a long day seated.
The trail look in menswear — a field jacket and tapered trousers; crisp enough to walk in.
A quilted jacket, a skirt and tall boots — layering that still works while walking.
A satin-finish coat lifts the whole trail look with brightness.
A woven-band vest and straight trousers — easy to move in, with pockets that hold tools.
The shaped volume of a quilted skirt with a simple top; comfortable sitting or standing.
An embroidered vest as the focal point, everything else plain — easy to work in.
A draped long shirt and a straight long skirt — moving with the walk.
The crisp hand of ramie with wide trousers: movement in the walk, but still crisp.
A plain white long dress and a gauze overblouse — the lightest look in the group.
The riverside look in menswear — a drop-shoulder shirt jacket and straight trousers; easy to walk in.
The travel look in menswear — a quilted jacket and work trousers; hard-wearing and roomy.
A long shirt and wide trousers — one piece that does the work of two.
A jacquard long shirt and a gauze vest — layered, but light.
A mixed-material long coat and straight trousers — the most wearable look here.
The first market piece — the brightness of a fully embroidered crop top, with a straight long skirt.
A banded cardigan and wide trousers — easy to move in while browsing.
A mixed-material vest with wide trousers — the easiest look here to wear.
A cardigan and a straight skirt — the look best suited to a long afternoon in the courtyard.
A gauze overblouse and lace — the lightest look of the afternoon.
A waxed long coat over wide trousers — a rain look built on waxed cloth.
A white raincoat-cut coat — the cleanest look for rain.
A woven vest over a long skirt — easy to sit in through an afternoon.
A long shirt and a mixed-material vest — the second festive look for menswear.
A jacquard overblouse and wide trousers — a look for easy movement.
A mixed-material long coat over tapered trousers — menswear for the working week.
Seasons · Autumn/Winter
62 autumn and winter studies, with crochet cross-use.
The first autumn piece — a chunky crochet cardigan brings the warmth on the outside; everything inside stays plain.
A motif-panel vest as the visual point, with a light wool long coat: an autumn layering.
A chunky crochet sweater with a woven skirt — the most basic autumn look.
A chunky crochet shawl as the accent, everything else plain — the lightest look of the season.
A cardigan as the outer layer; the crisp hand of ramie holds the autumn crispness.
A mixed-material treatment of body and edge, with a horizontal band as the division.
Gauze outside, lace inside — translucent layering carries the lightness of autumn.
A diamond-quilted vest as the mid-layer holds the centre of the whole look.
A mixed-material dress as the focal point; one cloth throughout, no layering needed.
Menswear for autumn — a loose long coat looks the silhouette, with only a shirt underneath.
Menswear for autumn in a four-pocket jacket; structure rather than ornament.
An embroidered vest as the mid-layer, with embroidery in one place only; everything else plain.
A fully embroidered crop top as the focal point, with tonal shading giving “full but not busy”.
A chunky crochet sweater as the focal point with a woven skirt — the basic autumn use of crochet.
A chunky crochet cardigan as the outer layer, plain inside — crochet used as outerwear.
A motif-panel chunky vest as the mid-layer; the motifs themselves are the pattern.
The first winter piece — a chunky crochet cardigan worked as a long coat; the crochet line’s statement look.
A chunky crochet sweater as the inner layer, layered under a wool long coat.
The winter look in menswear — a wool long coat holds the weight, over a chunky crochet sweater.
A thick quilted long coat as the outermost layer, over a motif vest and a chunky sweater.
A thick quilted long coat as the outermost layer; the grid carries the volume.
A wool long coat as the outer layer; the belt can be tied or left loose to change the silhouette.
The upper-and-lower panelling of a men’s mixed-material long coat, with a narrow woven band at the seam.
A long quilted vest as the outer layer, over a shirt and gauze.
A quilted jacket as the outer layer; the direction of the quilting lines becomes the pattern.
The winter protection look in menswear: an over-the-knee long raincoat with quilted joggers.
Menswear for winter relies on mixed-material panelling for depth rather than piled-on thickness.
A chunky crochet cardigan worked as a long coat — crochet as outerwear, for winter.
A fully embroidered long dress as the focal point, layered under a wool long coat.
An embroidered vest as the mid-layer, with the embroidery confined to one place at the back shoulder.
A quilted skirt carries the lower half as the focal point, against completely plain pieces above.
A mixed-material vest as the mid-layer; the face-and-lining contrast is the only design point.
The first deep-winter piece — the weight of a wool long coat, with a thick woven long skirt.
A thick quilted long coat as the outermost layer; the quilting grid carries the volume.
A quilted vest and a quilted skirt — quilting top and bottom, unified by the grid.
A long quilted vest as the focal point, with a slit long skirt — the crispest deep-winter layering.
Menswear for deep winter — a wool long coat holds the centre of gravity, layered over a quilted vest.
Menswear for deep winter — a quilted jacket and quilted joggers; quilting top and bottom.
A crochet cardigan, a vest and a crochet bag from the house knit line, layered with cotton-linen, wool, twill and embroidery for a complete autumn–winter look.
Yarn-and-cloth mixed material layered with cotton-linen, wool and twill, held together by a crochet vest from the house knit line.
Lace, gauze, cotton-linen, wool and twill in an autumn layering, in river-mist white.
Quilted cotton and wadding against cotton-linen, wool and twill, with a crochet bag from the house knit line.
Cotton-linen, wool, twill and quilting in an autumn layering under a deep-wood-brown wool coat.
Embroidery thread and ground cloth with cotton-linen, wool, twill, lace and gauze in coral.
Menswear in cotton-linen, wool, twill and quilting under a highland-blue long coat.
Quilted cotton and wadding with cotton-linen, wool and twill under a deep-steppe-green long coat.
A crochet cardigan and bag from the house knit line, layered with quilting, cotton-linen, wool and twill for a complete winter look.
Embroidery thread and ground cloth layered with a crochet vest from the house knit line, over wool and twill.
A crochet cardigan and bag from the house knit line, layered with cotton-linen, wool and twill under an open wool coat.
Yarn-and-cloth mixed material layered with a crochet vest from the house knit line, over wool and twill.
A chunky crochet cardigan from the house knit line layered with cotton-linen, wool, twill and embroidery for an autumn look in mountain-ink green.
A crochet motif vest from the house knit line layered over yarn-and-cloth, cotton-linen, wool and twill.
Lace and gauze over cotton-linen, wool and twill — a translucent autumn layering in river-mist white.
Quilted cotton and wadding with cotton-linen, wool, twill and embroidery, with a crochet bag from the house knit line.
Cotton-linen, wool, twill and quilting under a deep-wood-brown wool coat, with a crochet bag from the house knit line.
Embroidery thread and ground cloth with cotton-linen, wool, twill, lace and gauze in coral embroidery.
Menswear: cotton-linen, wool, twill and yarn-and-cloth under a highland-blue long coat, with a crochet cardigan from the house knit line.
Quilted cotton and wadding with cotton-linen, wool, twill and yarn-and-cloth under a deep-steppe-green quilted coat.
A crochet cardigan and bag from the house knit line layered with quilting, cotton-linen, wool, twill and embroidery.
Embroidery thread and ground cloth with a crochet vest from the house knit line, over cotton-linen, wool and twill.
A crochet cardigan and bag from the house knit line layered with cotton-linen, wool, twill and yarn-and-cloth under a mountain-ink open coat.
Yarn-and-cloth mixed material layered with a crochet vest from the house knit line, over wool, twill and embroidery.
About these images
AI-generated visuals on this site are labelled, produced in our own studio workflow. They are design visualisations; physical pieces and kits are in development.
